In parallel with a solo artist career and several solo exhibitions, Nuno Maya is partner and artist in OCUBO studio, specialized in light video mapping projections, interactive light projections and cultural projects. Nuno Maya (Portugal), visual artist and co-founder of Ocubo Houzé’s recent work was exhibited in the first editions of the Day for Night Festival in Houston, at Google I/O 2017 and as part of the group exhibition “Infinite Dimensions in Digital Art and Beyond” at the MixC Art in Shanghai. He was previously a member of NEW INC, the New Museum incubator for art and technology. Vincent Houzé lives and works in New York. His practice centers on dynamic simulations and systems in which simple rules give rise to complex and realistic phenomena. Vincent Houzé uses modern computer graphics techniques to create interactive art, performances, and large-scale multimedia installations.
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She now tries to develop this approach within the professional Degree “Audiovisual and New Media Creator” at the University Paul Valéry. They were made possible because of her acquisition of a double skill in arts and programming, allowing her to lead creations more freely. It is by way of the pedagogy installed in ATI and of the research-creations of the laboratory Image Numérique et Réalité Virtuelle (Digital Image and Virtual Reality) that she tackled a diversity of interactive video mapping experiences. Through her history with art-science specialised in synthesis image, she shares privileged relations with the field of animation and special effect. Lecturer since 2010, Anne-Laure George-Molland was head of the Arts and Technologies of Image department at the University of Paris 8 before her placement at the University of Montpellier 3, in 2014. Among his latest creations Moviments Granados – a mapping project in real time with live music – stands out.Īnne-Laure George-Molland (France), lecturer at the University of Montpellier 3 He has participated in many festivals worldwide as a lecturer, expert or jury. In recent years he has specialized in projection mapping, becoming director of FIMG, the International Mapping Festival of Girona in 2016. He directs audiovisual projects where art and technology go hand in hand, and where the image keeps a deep and close relationship with the music.įrom a technical background as a telecommunications engineer, he soon made the leap to artistic fields such as live music video direction, live visuals, video art, performing and new media art. Xavi Bové is a visual composer, passionate about both tradition and innovation, the organic and also the digital. Moderator: Xavi Bové (Spain), artistic director of the International Mapping Festival of Girona, artist Antoine Meissonnier (France), developer at Anomes Nuno Maya (Portugal), visual artist and co founder of Ocubo Anne-Laure George-Molland (France), lecturer at the University of Montpellier 3 Moderator: Xavi Bové (Spain), artistic director of the International Mapping Festival Girona, artist The participants also try to define the new status of the audience in these works with mobile structures and storytelling. What new language is appearing, and what are those works that are evolving according to their environment? When picture and sound are shaped by a spectator or a performer’s gesture, it is a whole field of creation that is opening to new dogmas. By exploring varied application fields, video mapping is more and more linked to interactivity matters.Ĭontributors of this second round table discuss research, innovation, and prototyping, which allow the production of creations to keep getting more astonishing. It was built by way of the researches and experimentations of visual artists, video makers, musicians, engineers, developers or theoreticians. Round table 2: Video mapping and interactivityīy nature, video mapping is a collaborative art. Round tables, case studies, conferences, technical demonstrations form the pattern of the event, in order to depict video mapping from every angle. The Video Mapping Festival offers a two-day seminary in Arenberg Creative Mine, dealing with a state of play of the discipline.
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